New computational techniques and visualisation technologies in the Arts & Humanities

CFP: The Computational Turn



http://www.thecomputationalturn.com/



SWANSEA UNIVERSITY<http://sites.google.com/site/dmberry/home/location>

9TH MARCH 2010



Keynote: N. Katherine Hayles<http://fds.duke.edu/db/aas/Literature/

faculty/n.hayles
> (Professor of Literature at Duke University).

Keynote: Lev Manovich<http://www.manovich.net/> (Professor, Visual

Arts Department, UCSD).



The application of new computational techniques and visualisation

technologies in the Arts & Humanities are resulting in new approaches

and methodologies for the study of traditional and new corpuses of

Arts and Humanities materials. This new 'computational turn’ takes the

methods and techniques from computer science to create new ways of

distant and close readings of texts (e.g. Moretti). This one-day

workshop aims to discuss the implications and applications of what Lev

Manovich has called 'Cultural Analytics’ and the question of finding

patterns using algorthmic techniques. Some of the most startling

approaches transform understandings of texts by use of network

analysis (e.g. graph theory), database/XML encodings (which flatten

structures), or merely provide new quantitative techniques for looking

at various media forms, such as media and film, and (re)presenting

them visually, aurally or haptically. Within this field there are

important debates about the contrast between narrative against

database techniques, pattern-matching versus hermeneutic reading, and

the statistical paradigm (using a sample) versus the data mining

paradigm. Additionally, new forms of collaboration within the Arts and

Humanities are emerging which use team-based approaches as opposed to

the traditional lone-scholar. This requires the ability to create and

manage modular Arts and Humanities research teams through the

organisational structures provided by technology and digital

communications (e.g. Big Humanities), together with techniques for

collaborating in an interdisciplinary way with other disciplines such

as computer science (e.g. hard interdisciplinarity versus soft

interdisciplinarity).



Papers are encouraged in the following areas:



- Distant versus Close Reading

- Database Structure versus Argument

- Data mining/Text mining/Patterns

- Pattern as a new epistemological object

- Hermeneutics and the Data Stream

- Geospatial techniques

- Big Humanities

- Digital Humanities versus Traditional Humanities

- Tool Building

- Free Culture/Open Source Arts and Humanities

- Collaboration, Assemblages and Alliances

- Language and Code (software studies)

- Information visualization in the Humanities

- Philosophical and theoretical reflections on the computational turn



+ Participation Requirements +



Workshop participants are requested to submit a position paper

(approx. 2000–5000 words) about the computational turn in Arts and

Humanities, philosophical/theoretical reflections on the computational

turn, research focus or research questions related to computational

approaches, proposals for academic practice with algorithmic/

visualisation techniques, proposals for new research methods with

regard to Arts and Humanities or specific case studies (if applicable)

and findings to date. Position papers will be published in a workshop

PDF and website for discussion and some of the participants will be

invited to present their paper at the workshop.



Deadline for Position papers: February 10, 2010

Submit papers to: http://www.easychair.org/conferences/?conf=tct2010



Workshop funded by The Callaghan Centre for the Study of Conflict,

Power, Empire<http://www.swansea.ac.uk/humanities/ResearchCentres/

CallaghanCentrefortheStudyofConflict/
>, Swansea University.

TheResearch Institute in the Arts and Humanities<http://

www.swansea.ac.uk/artsandhumanities/riah/> (RIAH) at Swansea

University.



+ References +



Clement, Tanya E. (2008) ‘A thing not beginning and not ending’: using

digital tools to distant-read Gertrude Stein’s The Making of

Americans. Literary and Linguistic Computing. 23.3 (2008): 361.



Clement, Tanya, Steger, Sara, Unsworth, John, Uszkalo, Kirsten (2008)

How Not to Read a Million Books. Retrieved 10/11/09 from

http://www3.isrl.illinois.edu/~unsworth/hownot2read.html



Council on Library and Information Resources and The National

Endowment for the Humanities (2009) Working Together or Apart:

Promoting the Next Generation of Digital Scholarship. Retrieved

10/11/09 from http://www.clir.org/pubs/reports/pub145/pub145.pdf



Hayles, N. Katherine (2009) RFID: Human Agency and Meaning in

Information-Intensive Environments. Theory, Culture and Society 26.2/3

(2009): 1–24.



Hayles, N. Katherine (2009) How We Think: The Transforming Power of

Digital Technologies. Retrieved 10/11/09 from http://hdl.handle.net/1853/27680



Kittler, Fredrich (1997) Literature, Media, Information Systems.

London: Routledge.



Krakauer, David C. (2007) The Quest for Patterns in Meta-History.

Santa Fe Institute Bulletin. Winter 2007. Retrieved 10/11/09 from

http://www.intelros.ru/pdf/SFI_Bulletin/Quest.pdf



Latour, Bruno (2007) Reassembling the Social. London: Oxford

University Press.



Manovich, Lev (2002) The Language of New Media. MIT Press.



Manovich, Lev (2007) White paper: Cultural Analytics: Analysis and

Visualizations of Large Cultural Data Sets, May 2007. Retrieved

10/11/09 from http://softwarestudies.com/cultural_analytics/cultural_analytics_2008.doc



McLemee, Scott (2006) Literature to Infinity. Inside Higher Ed.

Retrieved 10/11/09 from http://www.insidehighered.com/views/mclemee/mclemee193



Moretti, Franco (2005) Graphs, Maps, Trees: Abstract Models for a

Literary History. London: Verso.



Robinson, Peter (2006) Electronic Textual Editing: The Canterbury

Tales and other Medieval Texts. Electronic Textual Editing. Modern

Language Association of America. Retrieved 10/11/09 from

http://www.tei-c.org/About/Archive_new/ETE/Preview/robinson.xml



Schreibman, Susan, Siemens, Ray & Unsworth, John (2007) A Companion to

Digital Humanities. London: WileyBlackwell.













Organised by Dr David M. Berry<http://www.swan.ac.uk/staff/academic/

Arts/berryd/
>, Department of Political and Cultural Studies, Swansea

University. d [ punto ] m [ punto ] berryatswansea [ punto ] ac [ punto ] uk (d[dot]m[dot]berry[at]swansea[dot]ac[dot]uk)<

mailto:d [ punto ] m [ punto ] berryatswansea [ punto ] ac [ punto ] uk (d[dot]m[dot]berry[at]swansea[dot]ac[dot]uk)?

subject=The%20Computational%20Turn>









-—



Dr David M. Berry

Department of Political and Cultural Studies

School of Arts and Humanities

Swansea University.

Swansea

SA2 8PP

Wales, UK



Tel: 01792 602633

Web: http://www.swansea.ac.uk/staff/academic/Arts/berryd/